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Le Rendez-vous des Tuileries ou le coquet trompé

Identifieur interne : 000041 ( France/Analysis ); précédent : 000040; suivant : 000042

Le Rendez-vous des Tuileries ou le coquet trompé

Auteurs : Jeanne-Marie Hostiou [France] ; Monnier Clémence

Source :

RBID : Hal:hal-01463667

Descripteurs français

Abstract

In the last days of Louis XIV’s reign, two young widows in Paris are in no hurry to remarry, preferring instead to lead a free and easy life of pleasure. Striving to outdo each other in coquetry and gossip, these women toy with their numerous suitors, parrying their attacks, and not without a hint of malice. Set after dark, this is a comedy of loose morals and ludic pleasures; fortunes are made and lost, schemes are plotted and abandoned against a background of card-games, masks and trickery. Le Rendez-vous des Tuileries cheerfully and cynically portrays a society in the dying days of the old king, and undermines the absolute values of the Ancien Régime based on order and reason Created at the Comédie-Française in 1685, with original music by Marc-Antoine Charpentier, this is the first play by Michel Baron, author of the flamboyant Homme à bonne fortune and famous in his day as an actor. In Le Rendez-vous des Tuileries, a work at once somber and joyful, he invokes his master Molière in order to renew the model of classical comedy. He promotes a spectacular aesthetic and invents a theatre devoid of illusion. This scholarly edition helps us to rediscover the world of theatrical creation at the dawn of the Enlightenment.

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Hal:hal-01463667

Le document en format XML

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   |texte=   Le Rendez-vous des Tuileries ou le coquet trompé
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